write down the structure and functions of;1) Glomerulus. 2) Bowman's Capsule.3) Proximal convoluted tubule. 4) Loop of Henle. 5) Distal convoluted tubule.(no spam please)​

Answer:

Below in bold.

Step-by-step explanation:

Add up all the marks the divide by 20.

= 1223/20

= 61.15.

Answer:

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Answer:

Step-by-step explanation:

-> To identify a triangular number :-

A number is termed as triangular number if we can represent it in the form of triangular grid of points such that the points form an equilateral triangle and each row contains as many points as the row number, i.e., the first row has one point, second row has two points, third row has three points and so on. The starting triangular numbers are 1, 3 (1+2), 6 (1+2+3), 10 (1+2+3+4).

We form a quadratic equation by equating the number to the formula of sum of first ‘n’ natural numbers, and if we get atleast one value of ‘n’ that is a natural number, we say that the number is a triangular number.

Let the input number be 'num'. We consider,

n*(n+1) = num

as,

n2 + n + (-2 * num) = 0

Here (c) 28 is a rectangular number

-> To identify a Rectangular number :-

The numbers that can be arranged to form a rectangle are called Rectangular Numbers .The first few rectangular numbers are:

0, 2, 6, 12, 20, 30, 42, 56, 72, 90, 110, 132, 156, 182, 210, 240, 272, 306, 342, 380, 420, 462 . . . . . .

If we observe these numbers carefully, we can notice that nth rectangular number is n(n+1).

Here (b) 20 is a rectangular number

-> To identify a Square number :-

A square number is the result when a number has been multiplied by itself.

x*x=x^2

49=7*7

Here (d) 49 is a square number

Answer:

This finding implies that future climate change will increase inequality across countries. Hence, climate change threatens not only economic growth (SDG 8) but it will also act as a poverty multiplier by increasing the number of poor people and by making poor people even poorer (SDG 1), as well as inequality (SDG 10).

Answer: Target 13.1. STRENGTHEN RESILIENCE AND ADAPTIVE CAPACITY TO CLIMATE RELATED DISASTERS. ...

Target 13.2. INTEGRATE CLIMATE CHANGE MEASURES INTO POLICIES AND PLANNING. ...

Target 13.3. BUILD KNOWLEDGE AND CAPACITY TO MEET CLIMATE CHANGE. ...

Target 13.4. IMPLEMENT THE UN FRAMEWORK CONVENTION ON CLIMATE CHANGE. ...

Explanation: he first three targets are "output targets": Strengthen resilience and adaptive capacity to climate-related disasters; integrate climate change measures into policies and planning; build knowledge and capacity to meet climate change.

...

Sustainable Development Goal 13

Established 2015

Website sdgs.un.org

Answer:

Kathak is one of the eight major forms of Indian classical dance.It is the classical dance form of Uttar Pradesh. The origin of Kathak is traditionally attributed to the traveling bards in the of ancient northern India known as Kathakars or storytellers.

Explanation:

 khatak is one of the eight major forms of Indian classical dance.It is the classical dance form of Uttar Pradesh. The origin of Kathak is traditionally attributed to the traveling bards in the of ancient northern India known as Kathakars or storytellers.

1.  The term Kathak is derived from the Vedic Sanskrit word Katha which means "story", and Kathakar which means "the one who tells a story", or "to do with stories".
2. Wandering Kathakars communicated stories from the great epics and ancient mythology through dance, songs and music.
3. Kathak dancers tell various stories through their hand movements and extensive footwork, their body movements and flexibility but most importantly through their facial expressions. Kathak evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the Hindu god Krishna, as well as independently in the courts of north Indian kingdoms.
4. During the period of Mughal rule, the emperors were patrons Kathak dance and actively promoted it in their royal court. 
5.  Kathak performances include Urdu Ghazals and commonly used instruments brought during the Mughal period.
6. As a result, it is the only Indian classical dance form to feature Persian elements.
7. Kathak is found in three distinct forms, called "gharanas", named after the cities where the Kathak dance tradition evolved – Jaipur, Banaras and Lucknow. While the Jaipur gharana focuses more on the foot movements, the Banaras and Lucknow gharanas focus more on facial expressions and graceful hand movements. Stylistically, the Kathak dance form emphasizes rhythmic foot movements, adorned with small bells (Ghungroo) and the movement harmonized to the music.
8. The legs and torso are generally straight, and the story is told through a developed vocabulary based on the gestures of arms and upper body movement, facial expressions, neck movements, eyes and eyebrow movement , stage movements, bends and turns. The main focus of the dance becomes the eyes and the foot movements. The eyes work as a medium of communication of the story the dancer is trying to communicate. With the eyebrows the dancer gives various facial expressions.
9.  The difference between the sub-traditions is the relative emphasis between acting versus footwork, with Lucknow style emphasizing acting and Jaipur style famed for its spectacular footwork.
10. Kathak as a performance art has survived and thrived as an oral tradition, innovated and taught and from one generation to another verbally and through practice.
11.  It transitioned, adapted and integrated the tastes of the Mughal courts[in the 16th and 17th centuries, particularly by Akbar, but stagnated and went into decline during the British colonial era then was reborn as India gained independence and sought to rediscover its ancient roots and a sense of national identity through the arts

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