Answer:
Concept :
Western art" is the representation in two or three dimensions, in a highly realistic or realistic impressionist style, of the history, people, scenery, and wildlife of the region limited to the western areas of North America. It is closely related to the culture of the American West. The works of art that have evolved and collected in the Philippines from the country's earliest days of civilisation to the current day are referred to as Philippine art.
Given :
Compare and contrast the concepts of personhood or pagkatao in the Philippines with those of art according to Western philosophy. Justify short.
Find :
Compare and contrast Filipino notions of personhood, or pagkatao, with Western definitions of art.
Answer :
According to the Filipino understanding of cultural arts, Philippine art can be extremely dynamic and impressionistic to what genuine artists feel inside, and they are quite capable of embracing and sharing other cultures. However, it is crucial to keep in mind that Western philosophy was regarded from the perspective that art and knowledge emerge from the self in order to be meaningfully digested when contrasting it to the Filipino understanding of personhood.
Western thought :
According to Western thinking, the depiction of the history, people, scenery, and animals of the region, which is restricted to the western regions of North America, in 2d or 3d, in a highly realistic impressionist movement, is inextricably linked to the way of life there.
Filipino notion of personhood or pagkatao.
The concept of "shared self" is central to the Filipino conception of Filipino personhood, or "kapwa," and it invites the other into one's heart. It connects a person with anyone outside of themselves, even complete strangers, in their most private areas. Here, your socioeconomic standing or level of wealth are irrelevant.
Comparision :
Seeing Philippine art as merged with western art and these two traditions as coming together and harmonising with one another is one approach to positively see Filipino identity in the arts.
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